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____________________________________________________________________________________________ Scotia Music Hall, Metropole Theatre,
116, Stockwell Street, Glasgow
Above - The Auditorium of the Scotia Variety Theatre, Glasgow in 1890 - Courtesy Graeme Smith
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Right - Programme for the Metropole Theatre 1945/46 Season. James Baylis died relatively young and was succeeded by his wife Christina Baylis who became the matriarch of variety in the 19th century. The Baylis family continued to own the Theatre Royal Hope Street for ten years.
Left - Programme for the Metropole Theatre - Undated but believed to be mid 1940s. On her passing in the 1890s the newspapers remarked: 'It was the ability and enterprise of James Baylis and of Mrs Baylis that the townsfolk of Glasgow during the past generation have been chiefly indebted for healthy music hall recreation. Many of us recollect the early days, or rather nights, of the Scotia. In that glittering temple, to the tune of blithesome music, our eyes would eagerly follow the movements of the young sylphides of the corps de ballet in such gorgeous spectacles as "The White Dove", "Scotland and her Shires", "The Gathering of the Clans", and "As Good as a Pantomime".'
"W H Howard and Richie Thom, the managers of the Gaiety and Scotia, are opening soup kitchens at both houses with the intention to supply soup and bread to from eight hundred to one thousand poor persons per week. Subscription boxes are to be placed in prominent parts of both houses, and they are confident their patrons will give a liberal response. Councillor Angus Campbell has consented to become treasurer, and the allocation of tickets is to be entrusted to magistrates, councillors, police officials, clergy of all denominations, and other responsible persons. We may mention that the large dressing rooms at both the Scotia and Gaiety will be specially fitted up for these free dinners. Those to whom tickets are given are asked to take cans to hold the soup." Right - A cartoon from 'Quiz' of Feb 1895 showing the food being served at midday at the Gaiety (Sauchiehall Street) and at the Scotia (Stockwell Street) - Courtesy Graeme Smith. Above text in quotes - The North British Daily Mail 12th February
1895. After being managed by H. E. Moss for a few years, the theatre was substantially rebuilt in 1897 to the designs of the Newcastle architects Joseph Charlton Maxwell and William Hope and changed its name to The Metropole, a name which continued into the 20th century. The above text was written by Graeme Smith and kindly sent in for inclusion on the site in 2008, and is, in part, from his new book 'THE THEATRE ROYAL: Entertaining a Nation', Details here...
The Metropole Theatre was destroyed by fire on 28th October 1961. Right - The Metropole Theatre, formerly Scotia Music Hall, after the fire in 1962 - From the book 'Glasgow since 1900' Archive publications. A Programme and some details for the Scotia Variety Theatre can be seen here. Arthur Lloyd is known to have performed here in 1886 1887 1890. |
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James
Baylis, who ran the 
Following
a fire the Scotia was rebuilt in 
In
the winter of 1894/95 unemployment among the working class was high
and a severe winter made things worse, causing a huge demand for food
and coal for the poor. Relief Funds were started and among those who
helped were Moss & Thornton owners of the 
Stan
Laurel's Dad, Arthur Jefferson, once managed the Metropole Theatre and
put on his and Stan's play "Home From the Honeymoon" there.
Stan briefly played one of the hobos in the play which eventually formed
the basis of two Laurel and Hardy films; one silent "Duck Soup";
and the other a talkie "Another Fine Mess" in 1930. This
information kindly sent in by Lesley Phillips.