|
________________________________________________________________________________________
Horatio Lloyd's Obituaries The Glasgow Weekly Herald - 30th November 1899 Reynolds's Newspaper 1st December 1889
|
||
|
The Glasgow Weekly Herald - 30th November 1899 Death of Mr H. F. Lloyd.
The Glasgow Weekly Herald - 30th November 1899 reproduced with Kind Permission - The Mitchell Library, Glasgow. Left - Poster for Horatio Lloyd's 'Facts and Fancies' at the Theatre Royal, Trades Hall 1858 - Arbroath - Click to enlarge. (Note that in several articles on this site Horatio's birth is stated variously as 1805, 1808, 1809 and 1815. The correct date is the 9th of November 1807. I have details of his Christening at St. Sepulchre, Newgate, London on the 25th December 1807 with his brother George Thomas Lloyd which states his date of birth as 1807. ) |
||
|
THE LATE MR. H. F. LLOYD
Mr Walter Baynham furnishes the following interesting biographical
notes of Mr Lloyd's stage career:- From Edinburgh Lloyd went to Dundee, and returned again to the Caledonian Theatre. On Nov. 15th, 1839, he made his first appearance at the Glasgow Theatre Royal, in Dunlop Street, then under the management of Mr Alexander, who had purchased the patent after the burning of the Great Queen Street Theatre. On the following Monday he writes:- "I first had the honour of meeting in the theatre, the great Edmund Kean. His representations will never be effaced from my mind. They are beyond any description I can give of them." Lloyd then accompanied Mr Alexander to Dumfries, "Here," he writes, "I first met Mr Phelps. He was very poor then but very studious. I thought him clever, but Mr A. thought otherwise, and discharged him at rehearsal as being incompetent to lead the business. I never saw him again until after he became a London favourite." In 1832, Lloyd received an offer from Mr W H Murray, of the Theatre Royal Edinburgh. He opened with him on the following Oct.1st. With him, Lloyd remained for sixteen years, "It was," so Lloyd often told me, "the happiest time of my Professional career. He, (Mr Murray), was a gentleman in every sense of the word; a great actor, but a most unassuming man and a splendid stage manager." Lloyd was never tired of talking of Mr Murray's antecedents, of which he was as proud as if they had been his own. "His grandfather," Lloyd used to say, "of course you know, was Sir John Murray, Bart., of Broughton. His father was an officer in the Hussars, and his sister married Henry Siddons, the son of the great actress." This was Lloyd's favourite theme. With Lloyd, there were, in the stock company in the Theatre Royal, Edinburgh at that time, Sims Reeves (who was the singing "Walking Gentleman"); Sam Cowell; Leigh Murray, (Walking Gentleman); Barry Sullivan, (Heavy Man); the great Mackay, and Mr Montague Stanley. Mrs Leigh Murray, then Miss Lee, played the leading business. "The Green Room then," said Lloyd, "was, a Green Room.
No one who was out of the place ever thought of entering it, without
putting on evening dress. This custom was rigidly observed by Mr Theodore
Martin, Mr Aden, and other friends of Mr Murray, who were privileged
to enter it." His leading lady on the occasion, was Miss Fanny Vining. His principal vocalist, Miss Eliza Nelson, the daughter of the composer of "Mary of Argyle." Miss Marie Wilton, (now Mrs Bancroft), the soubrette; Miss Nicol, old woman, and Miss Eliza Arden, comedy. These were supported by actresses, each and all of whom made subsequently a name. Amongst these were Mrs Weston, Miss Josephine Manners, Miss Fanny Bland, Miss Victor, (now of Terry's Theatre), Miss Cruise, and a ballet of sixteen coryphées, headed by Madame St. Louis. Amongst the gentlemen, were the great American tragedian W. H. Davenport, Harcourt Bland, H. J. Craven, author and dramatist, Mr Edwin Valores, the late Mr Henry Webb, comedian; Mr W. Cooper, Mr George Fisher, uncle of David Fisher; Niccolo Dalian, Paul Dalian, Mr Butler Wentworth, and Mr W. Morgan, the first Husband of the present Mrs J. B. Howard. The conductor of the orchestra was Mr Alexander Mackenzie, father of the composer of Columba; and the gentleman who presided at the drums, was Mr Toole's long and well-known acting-manager, the late Mr George Loveday. Lloyd's managerial career proved a disastrous failure, and shortly afterwards, he returned once more to Glasgow, where till the advent of travelling companies in 1864, he was the stock low comedian, at Dunlop Street. Lloyd, at an early age, was sent to the identical Dotheboys Hall in Yorkshire, where he remained for some time under the tuition of the veritable Mr Wackford Squeers. Mr Lloyd remembered well, the visit of Dickens to the school. Mr Squeers's real name, he says, was Shaw. Lloyd said, he (Shaw) was greatly liked by the boys, to whom he was invariably kind and considerate. When, however, the novelist called on him to get information as to the general character of cheap schools, Shaw gave offence to Dickens by his curt answers, and Dickens, at once, resolved to make the poor school master, (so unlike in character, the representative of the brutal 'schoolmasters' of that part), his original of Mr Squeers. (Read Horatio's description of this in his autobiography here... M.L.) Parents, recognising in the graphic portraiture by Dickens, the form, features and dress of their sons' preceptor, and fearing the scandal attaching to them, which would necessarily follow, if they continued sending their sons to such a man, at once withdrew the children, and all that remains now of school and schoolmaster of "Nicholas Nickleby" is a poor, neglected grave in the churchyard at Greta Bridge, which covers the mortal remains of a kind-hearted, ruined, and brokenhearted man. I have written about poor Lloyd, as he was when I first saw him. Let me say a word as to what he was, when I last saw him.
Right - Horatio Lloyd and his son Richard Delarue in 1889, the year Horatio died - Courtesy James Francis and Robert Cunningham. Click to enlarge. I call to mind how the old, strong effort and will to do his best, seemed, like a dying spark, to rise as he nerved himself to make his farewell speech, which, though his voice was changed to the childish treble, yet piped sufficiently to be heard in the vast house; and how at last, he sunk on his son's shoulder, broken down. He goes to his grave carrying with him, the honoured memory of a loving father and husband; rich in fame as an actor, who was, at all times, one of the most humorous and one of the best, legitimate comedians the stage has ever seen. The funeral took place on Tuesday at the South Necropolis, Glasgow. The remains of deceased were followed to the grave by his son Arthur Lloyd and sons by his second wife, Mr E L Knapp, (late of Theatre Royal), Messrs Mackay of the Gaiety, Mr Richardson, bookseller, Messrs T. J. and F. Bennett, Mr Cunningham, and about thirty old friends of the deceased, The prayers were read by Mr Tullock. The coffin was covered with beautiful wreaths sent by many sorrowing friends. (Note that in several articles on this site Horatio's birth is stated variously as 1805, 1808, 1809 and 1815. The correct date is the 9th of November 1807. I have details of his Christening at St. Sepulchre, Newgate, London on the 25th December 1807 with his brother George Thomas Lloyd which states his date of birth as 1807. ) |
||
|
Reynolds's Newspaper 1st December 1889
Reynolds's Newspaper 1st December 1889. (Note that in several articles on this site Horatio's birth is stated variously as 1805, 1808, 1809 and 1815. The correct date is the 9th of November 1807. I have details of his Christening at St. Sepulchre, Newgate, London on the 25th December 1807 with his brother George Thomas Lloyd which states his date of birth as 1807. ) |
||
|
|
||
|
|
||