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Leeds Theatres and Music Halls Past and Present

New Theatre, Princess' Theatre, Tivoli Theatre, Hippodrome
Empire Palace Grand Theatre City Varieties

City Varieties Theatre, Leeds

Above - Auditorium of the City Varieties, Leeds in 1986 - Courtesy Ted Bottle

The City Varieties is believed to have been built in 1865 by George Smith on the site of an earlier Music Hall called The White Swan Inn but early records are yet to be fully researched. The Theatres Trust, in their book, The Theatres Trust Guide To British Theatres 1750 -1950, John Earl & Michael Sell, say: 'What is seen today would appear to be the 1865 hall, possibly incorporating earlier fabric, and still more or less in its modified 1888 form. It is, thus, one of the most important early grand music hall survivals, comparable in rarity and completeness with London, Wilton’s and Hoxton Hall and the Glasgow Britannia.'

The Theatre currently has a seating capacity of 531.

For more details on the building and its current performances you may like to visit the Theatre's own website which can be found here...

Left - Programme for 'Remember Me' at the City Varieties 1951

Right and Below Left - The Circle bar of the City Varieties Theatre, Leeds, displaying archive images for this and other Leeds Theatres, including a poster for Arthur Lloyd and his wife, Katty King at the Princess' Palace, Leeds 1880. - Photo Courtesy The City Varieties Theatre, Leeds.

For more details on the building and its current performances you may like to visit the Theatre's own website which can be found here...

Above - Programme front and centrefold for 'Wisecracks of 1940' at the City Varieties 1940.

New Theatre / Princess' Concert Hall / Princess' Theatre / Princess' Palace / Tivoli / Hippodrome

Arthur Lloyd and his wife Katty King are known to have performed here 1880.

The Princess' Theatre was originally built for William Schuking Thorne as the New Theatre in 1848 but was later rebuilt and renamed, under new ownership in 1874, as the Princess' Concert Hall, later the Princess' Palace. The Theatre was renamed the Tivoli in 1898 and later still, in 1924 after major improvements, The Hippodrome. The Theatre was closed in 1933 and demolished over 30 years later in October 1967 after being used as a garment workshop and warehouse.

Above - The Theatre frontage in its 1898 form as the Tivoli. From the book 'Leeds Theatres Remembered' by Robert E. Preedy 1981 - Sourced originally from the the Leeds Public Library. - Courtesy John Grice.

Right - Poster for the Princess' Palace Leeds, 17 May 1880 and during the week with Arthur Lloyd and his wife Katty King on the Bill displayed at the City Varieties Theatre, Leeds - Courtesy The City Varieties Theatre.

One of the competitors for the Clog Dancing contest listed on the bill was Dan Leno, see below.

Above - Extract from 'The Early Doors' by Harold Scott - Ivor Nicholson & Watson Ltd London 1946 - Courtesy John Grice.

Left - The Auditorium of the Theatre in its 1924 form as the Hippodrome -From the book 'Leeds Theatres Remembered' by Robert E. Preedy 1981 - Sourced originally from the the Leeds Public Library. - Courtesy John Grice.

"Princess' Palace tonight
Arthur Lloyd and his grand comic concert company
Will Parker and his soldier dog
Clog dancing contest for the championship of the World"

Above - Notice from the Yorkshire Post and Leeds Intelligencer of Monday May 17 1880 - Courtesy John Grice.

The Empire Palace Theatre, Leeds was part of a large construction consisting of two Arcades and a Theatre seating over 1,700 people. The entire building was designed by the renowned Theatre architect, Frank Matcham for the Liverpool, Leeds and Hull Empire Palaces Limited run by Mr. H. E. Moss.

The Empire Palace opened its doors for the first time on the 29th of August 1898 with a Music Hall Bill featuring Lydia Adams - the Original Sally in our Alley, The Sisters Preston - duetists and dancers, W. E. Bates - a coronet soloist, The Nine Leopolds - acrobats, Mddle Mignonette - soubrette and dancer, Prince Koki - juggler, Will Hebden - comedian, Jessie Albini - comedienne and dancer, O' Gust - a ventriloquist, The Aglos Trio - novelty and specialty act, Harry Tate - 'the greatest mimic of the day,' The Brothers Onda - a comedy act, The Royal 6 Welshmen - Rhonda valley glee singers, Professor John Higgins - 'the human kangaroo,' and the Empire Grand Orchestra consisting of 25 musicians.

Left - All that is left of the Empire Palace Theatre, Leeds - Courtesy John Grice 2007.

On its opening the owners of the new Theatre boasted that it was one of the finest Variety Theatres in the country, with all the latest improvements, including Electric Light, a Sliding Roof, and a Fireproof Curtain.

The Theatre was restructured in 1931 so that it was able to exhibit Film as well as regular Variety but unlike so many Theatres of its day this one managed to carry on throughout the 1950s putting on concerts of all the big musical names of the period.

Sadly as the shows got bigger around the country, the small stage of the Empire became its Achilles heel. The last production at the Theatre was the Pantomime 'Babes in the Wood' starring Nat Jackley on the 25th of February 1961.

The Empire Palace Theatre was demolished in 1962 and a new Arcade called the Empire Arcade arose in its place.

All That Remains by John Grice

Many know that the Harvey Nichols store in Leeds occupies the site that used to be Leeds Empire. Few notice that there is one remaining memory of the old theatre, if you look up. The rear exit of the store is what used to be the backstage entrance to the theatre - you entered an alleyway, the stage door was then on the left and the dock doors facing. High above this alley there remains a stone motif reading Empire Palace.

Right - All that is left of the Empire Palace Theatre, Leeds - Courtesy John Grice 2007.

This entrance opens off Cross Arcade, which in turn leads to the spectacular County Arcade. The entire site, designed by Frank Matcham, comprises of many shops, and the Empire Theatre was at the heart. The complex is now named TheVictoria Quarter and is an amazing legacy from the great man, beautifully maintained and all the more interesting because it is a rare surviving example of his non-theatrical work.

Text Courtesy John Grice 2007.

The Leeds Empire - From Moss Empires in the Fifities by Donald Auty

This was my favourite Moss Empire. It was one of the earlier ones and built on four levels. It opened in 1898 and was owned by a subsidiary company Hull and Leeds Palaces of variety Ltd. Matcham was the architect and he was responsible for the adjoining arcade that still exists and is a fine example of Victorian building splendour and listed. The theatre was one of the smallest houses seating only 1500 but was full of atmosphere with acres of brass rails that were polished each day. The stage was quite small and during pantomime some of the scenery had to be kept out in the arcade. Leo A Lion a nephew of Walter De Freece was the manager and he used to stand in the foyer prior to every performance dressed in immaculate evening dress and smoking a cigar as he welcomed the audience with his faithful commissionaire Jack Allen beside him in a uniform covered in gold braid. He did the same thing after the performance bidding everyone good night and asking them if they had enjoyed the show.

Right - Photograph of the Leeds Empire during it's demolition which clearly shows the stage and the dock doors at rear centre that are now the exit / entrance to Harvey Nichols store. See images above for how it looks in 2007. Photograph from the Yorkshire Evening Post - Courtesy John Grice.

Neil Brookes who later became Manager at the Liverpool Empire and the London Palladium was assistant there at one time. It was a January matinee day during pantomime and they had a terrible morning. The previous night's bar takings would not balance, there was a burst in the gents toilet that flooded the back of the pit stalls and there was no ice cream delivery. When the curtain went up on the matinee the first eight rows of the stalls were empty because a party was late. They arrived half way through the first scene. Leo was standing at the back of the stalls with Neil as the late comers disrupted the performance and he turned to Neil and said do you know today we have been f****** by the finger of fate.

Ronnie Roberts was the musical director and to my mind the finest variety musical director in the country. The orchestra was the smallest on the circuit only 11 but what a sound. It was an education to sit behind Ronnie at the first house on a Monday night and watch him nurse the variety bill through his frequent remark to the pit pianist, seated at his side was knock it out Bob.

He was a great personality though he could be bit hot headed at times. When Owen Walters became music supervisor for the circuit in the late fifties he decided he would cut out all the violins in all the pit orchestras. Ronnie disagreed with this and promptly gave his notice and took a pub in Halton. He never conducted again, a sad loss to the business.

Left - Programme for the Leeds Empire Theatre in 1949 - Courtesy Alan Chudley - Click for details.

The Chief electrician was Billy Kaye. He always wore a suit with a rose in his button hole. This sartorial elegance was somewhat spoiled by his habit of taking vast quantities of snuff that was liberally deposited on his suit lapels and waistcoat. Billy moved to the Grand Theatre after the Empire closed and after a gap of a few years in the middle east I went in with a tour. I asked Billy what had happened to Ronnie Roberts and discovered that sadly he had died.

The only fly in the ointment was the resident stage manager who was a foul mouthed objectionable Scotchman. He caused continual discontent amongst both artistes and staff and I used to wonder how he kept his job. Leo the manager was a kind man and the stage manager took advantage of this. Leo should have sacked him but did not. He was moved to the Winter Gardens Morecambe when the Empire closed in 1961, that was a bit of a backwater by then.

The Empire was well loved by the citizens of Leeds but it was sold for its site value that was prime in the middle of Briggate. There was a token sit-in by the audience on the night that it closed.

From Moss Empires in the Fifities Kindly written for this site by Donald Auty.